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  • image SM volume 41/63 verso

Reference number

SM volume 41/63 verso

Purpose

[49] Record copy of design for entablature to the library

Aspect

Entablature for Library with detail of frieze labelled Begin in each Angle / w[it]h a whole head (of bucranium), Entablature to doors of Library labelled Cornice & Frieze of Stucco, the same Architrave to the Windows, and Base & Surbase mold[in]g / to Library the same / as Mr Lewis Asst-- (illegible) / Drawing Room, Entablature to doors of Mr Rowleys dressing Room labelled Cornice & Frieze of Stucco, Line of Frieze and This Architrave to the Windows, Cornice to all the Chambers / on the first floor / to all the Chambers on the / Mezzanine Story / to all the Chambers on the Young Ladies Apartmt, Base & Surbase Moldgs / to Mr Rowleys dressg Room, Mr Rowleys dressing Room / Entablature the same as Mr Branthwayts Eating Room

Scale

1/3 Size

Inscribed

as above and Tendring [Hall]

Medium and dimensions

Pen, pencil and pink wash on laid paper (364 x 244) bound into 'Precedents in Architecture ' SM volume 41

Hand

John Sanders (pupil, 1 September 1784-90)

Watermark

fleur-de-lis

Notes

The details for the base and surbase of the library are the same as those for Mr Lewis's drawing room and the entablature and the shutter mouldings for Mr Rowley's dressing room are borrowed from Mr Branthwayt's drawing room and eating room. More interesting is the frieze with bucrania, festoons and paterae taken from the frieze of the Temple of Vesta at Tivoli (see Soane in Italy: measured drawings: Tivoli: Temple of Vesta, 1778-80 and later). As a source, this was very important to Soane and it is an early use of the Tivoli frieze with bucrania. The same motif was used at about the same time for the portico of Malvern Hall, Warwickshire for Henry Greswold Lewis (q.v.) and for an unexecuted scheme for Hereford Street, Grosvenor Square, London for Lord Camelford (q.v.).

SM volume 41/61 verso, SM volume 41/62 recto, SM volume 41/62 verso, SM volume 41/63 recto, SM volume 41/63 verso and SM volume 41/64 recto are all record copies of designs for which the original drawings have mosty not survived.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).