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  • image SM Adam volume 14/46

Reference number

SM Adam volume 14/46

Purpose

[17] Finished drawing for a ceiling for the dining room, as executed, 5 November 1778

Aspect

Plan of a rectangular ceiling containing concentric elongated ovals centred on a figurative inset oval painted blue and white, and with blue and white painted cameos and rectangular panels on the outer ring

Scale

bar scale of 2/3 inch to 1 foot

Inscribed

Design of a Cieling for the Eating room at Weald Hall in Essex

Signed and dated

  • November 1778
    5t Novr 1778

Medium and dimensions

Pen and grey and cerulean blue washes on laid paper (596 x 446)

Hand

Adam office hand, possibly Joseph Bonomi, title inscriptions in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 30
Stillman, 1966, p. 105
King, 2001, Volume I, p. 260
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).