
Browse
Reference number
Purpose
Aspect
Scale
Inscribed
Signed and dated
- 1802-08
Medium and dimensions
Hand
Watermark
Notes
Verso
Site plan with Dance's proposal for access including a block plan of the church (see also Coleorton church) that corresponds to Dance's unexecuted design for alterations and additions ([SM D1/11/3]); a small scale block/sketch plan of Coleorton Hall, close to its final form though with a northwest turret, a conservatory on the south side and detached offices on the north side orthogonally planned
Scale to Ft in ¼ Inch
Inscribed as above, labelled and some dimensions given
Black and red pen, green earth, raw umber, yellow and sepia washes, pencil
Dance's rough design removes the barns and other outbuildings shown in [SM D1/9/3] to the west and replaces them with a continuous elliptical drive roughly 175 by 120 feet.
See also 143 Piccadilly [SM D4/10/10] verso.
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).