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  • image SM D1/10/32

Reference number

SM D1/10/32

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[40] Plan of principal floor of house and of domestic offices and cross-section AB through offices

Scale

¼ Inch to the Foot

Inscribed

as above, rooms labelled, dimensions given, NB The Floor of the Offices is to be 6 Feet below the principal Floor of the House, The Five Cesspools mark'd C to be 3 Feet Diameter / to be sunk 2 Feet below the Drain and / the bottom & sides to be work'd with Barrow lime

Signed and dated

  • 1802-08

Medium and dimensions

Pen, sepia, burnt umber, light red, yellow and blue washes, pencil, hatching, pricked for transfer on thick wove paper, with four old patches (690 x 1195)

Hand

Dance, builder (Carter?)

Watermark

Joseph Ruse Tovill Mill Maidstone 1803

Notes

The drawing has some illegible pencil notes by the builder and was probably used on site. Previous plans ([SM D1/10/29] and [SM D1/10/28]) show the porte-cochere walls immediately on either side of the entrance as quadrant on plan; here they are set diagonally and on [SM D1/10/23] (the 'as built' plan where the porte-cochere is hatched in, suggesting that it was not yet built) the walls start diagonally from the door and then straighten out.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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