[2] Record copy for a wall elevation of a drawing room, 1790, executed status unknown

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Robert and James Adam office drawings
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  - Newton Don, Borders: designs for a dining room for Sir Alexander Don, 1790, executed status unknown (4)

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Reference number

SM Adam volume 31/53

Purpose

[2] Record copy for a wall elevation of a drawing room, 1790, executed status unknown

Aspect

Wall elevation comprising three bays of multi-paned windows with panelled shutters, and drapery, with a moulded cornice and frieze containing rinceau, griffons, and medallions

Scale

bar scale of 4 inches to 10 feet

Inscribed

Design of the Bow Window side of the Drawing room at Newton Don.

Signed and dated

20/04/1790
Albemarle Street / 20^h April 1790

Medium and dimensions

Pen, pencil and coloured wash including cerulean blue, Naples yellow and violet on laid paper (527x320)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

J Whatman

Literature

Bolton, 1922, p. 24
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).