[10] Design for the east elevation of castle-style stables and offices, 1790, executed in part

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Robert and James Adam office drawings
- Country houses
  - Fullarton House or Castle, Ayrshire: designs for a castle-style house and stables, and a Roman-style temple for William Fullarton, of Fullarton, c.1790, executed in part (13)
    - Designs for castle-style stables and offices, 1790, executed in part (5)

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Reference number

SM Adam volume 36/85

Purpose

[10] Design for the east elevation of castle-style stables and offices, 1790, executed in part

Aspect

Elevation of a two-storey, thirteen-bay building with single-storey adjoining walls. The building is adorned with a mixture of arched windows and square windows, some within relieving arches, as well as slit windows, crosses, string coursing and crenelations

Scale

bar scale of 3/4 of an inch to 10 feet

Inscribed

Elevation of the Offices for Fullarton Castle facing the East Front / or Entrance to the Castle

Signed and dated

1790
datable to 1790

Medium and dimensions

Pen and pencil on laid paper (475x255)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 14
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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