[3] Design for the bedchamber floor of a house, c.1790, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Fullarton House or Castle, Ayrshire: designs for a castle-style house and stables, and a Roman-style temple for William Fullarton, of Fullarton, c.1790, executed in part (13)
    - Designs for a castle-style house and offices, c.1790, unexecuted (7)

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Reference number

SM Adam volume 36/84

Purpose

[3] Design for the bedchamber floor of a house, c.1790, unexecuted

Aspect

Bedchamber (second) floor plan for an irregular-hexagon-shaped building with round towers at each angle. There are several bedchambers and dressing rooms arranged around a central lobby flanked by a principal staircase and back stairs, the two bedchambers on the slanted angles of the house have apses at one end and protruding bays at the other flanked by hexagonal and D-shaped dressing rooms

Scale

bar scale of 3/4 of an inch to 10 feet

Inscribed

Plan of the Bed Chamber Storey of Fullerton Castle the Seat of / Colonel Wm Fullerton / Bed room / Closet / Closet / Bed Chamber / Bed Chamber / Passage / Water Closet / Back Stairs / Lobby / Principal Stairs / Water Closet / Passage / Bed Chamber / Bed Chamber / Closet / Closet / Bed Chamber / Dressing room / Bed Chamber / Dressg room / Bed Chamber / Bed Chamber / Dressing room / Bed Chamber / Dressing room and some measurements given / (verso) n^o 6 / Colonel Fullarton house / n[_] 6 / These Plans go 17 into the Book / (in pencil) 17

Signed and dated

c.1790
datable to c.1790

Medium and dimensions

Pen, pencil and wash on laid paper (464x295)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 14
For a full list of literature references see scheme notes.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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