[3] Design for the bedchamber floor of a house, c.1773-92, executed status unknown

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Robert and James Adam office drawings
- Country houses
  - Denovan House, Falkirk: designs for a house for John Johnstone, of Alva, c.1773-92, executed status unknown (5)

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Reference number

SM Adam volume 45/26

Purpose

[3] Design for the bedchamber floor of a house, c.1773-92, executed status unknown

Aspect

Bedchamber floor plan comprising a series of bed chambers and a nursery arranged around a principal staircase and service staircase situated towards the centre of the house, with water closets in between. The roofs of the three bows and porticos are also shown

Scale

bar scale of 1 1/4 inch to 10 feet

Inscribed

Mr Johnston / Bed Chambers Story of Donovan House / (in a different hand) Bed Chamber / Bed Chamber / Bed Chamber / Bed Chamber / Water Closet / Water / Closet / Bed Chamber / small Bed Room / Bed Chambr / Nursery (all underwritten in pencil) / (verso) 5 / 5 / Mr Johnston Donovan / (in a different hand) number 6 / (in pencil) 6

Signed and dated

c.1773-92
datable to c.1773-92

Medium and dimensions

Pen, pencil and wash on laid paper (511x353)

Watermark

IVG surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 9
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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