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  • image SM D1/11/8

Reference number

SM D1/11/8

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[10] Elevation of East Front with part of the single-storey offices on N side

Scale

to a scale

Inscribed

as above, No.4 and Coleorton in Leicestershire / The Seat of Sir George Beaumont Bart
Signed: Geo.Dance
Dated: Jany 27th 1803

Signed and dated

  • 1802-08

Medium and dimensions

Pen, sepia, raw umber, green earth and light blue washes, shaded, watercolour technique, pencil, within single ruled border, partly pricked for transfer on wove paper (240 x 330)

Hand

Dance

Notes

The plan of Design A is essentially the same as the design added to Mr Mathew's survey drawing ([SM D1/9/3]), with a porte-cochere replacing the canted bay on the west front. The three-storey elevations in this set of drawings show a castellated design with pseudo-four-centred windows. The north elevation is not shown since offices were to be designed for this front.

It is interesting to note that orientation, the location of the office wing and disposition of the main rooms have all been determined. The essential difference between this and the executed scheme is that Design A is a five-part plan with three storeys while the built design has a nine-part plan with two storeys.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).