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Robert Adam met with the Assembly Rooms Committee in September 1791 with some drawings already made. The funds for the building were raised using the Tontine principle, a form of collective investment based on the principle of survivorship. However, progress was exceedingly slow and the building wasn’t executed until after both Robert and James’s deaths in 1792 and 1794 respectively.
The surviving drawings include a group of unexecuted designs and a preliminary plan and elevation for the executed scheme. The executed designs were published in George Richardson’s New Vitruvius Britannicus in 1802 and attributed to both Robert and James Adam. Bolton suggests these preliminary designs are for Glasgow Trades Hall, possibly by William Adam, and that those published by Richardson are incorrectly attributed. This is considered to be a mistake; the preliminary and published designs show no correlation with the Trades Hall and match the executed Assembly Rooms.
New wings were added to either side of the building in 1807, to designs by Henry Holland. The building was demolished in the early 1890s and the first-floor front comprising the arch and flanking columns were removed to Glasgow Green and re-erected as the McLennan Arch in 1893.
Literature: National Library Scotland: MSS.19992-19993, Letters from John Paterson to Robert Adam, 1790-91; A.T. Bolton, The Architecture of Robert and James Adam, Volume II, 1922, pp. 196-7, Index p. 14; M. Sanderson, 'Robert Adam’s Last Visit to Scotland 1791', Architectural History, Volume 25, 1982, pp. 35-46; A. A. Tait, Robert Adam, The Creative Mind: from the sketch to the finished drawing, 1996, p.48; D. King, The Complete Works of Robert & James Adam and Unbuilt Adam, Volume 1, 2001, pp. 32, 57-9, 413-4, Volume 2, p.55
With thanks to the Arts Society Fund and the Art Fund’s Jonathan Ruffer Curatorial Grant which enabled archival visits in Edinburgh to support research for this scheme.
Louisa Catt, 2023
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Glasgow Assembly Rooms: designs, c.1791-94, executed in part (10)
- Designs for the Glasgow Assembly Rooms, c,1791-94, unexecuted (8)
- Designs for the Glasgow Assembly Rooms, executed in part (2)