[6] Design for the principal elevation and part-sections of a terrace, 1792, unexecuted

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Robert and James Adam office drawings
- Town houses
  - Glasgow
    - Stirling Square (now Blackfriars Street), Glasgow: designs for a group of streets and a square for William Stirling & Sons, 1792, unexecuted (7)

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Reference number

SM Adam volume 48/1

Purpose

[6] Design for the principal elevation and part-sections of a terrace, 1792, unexecuted

Aspect

Part-elevation and section of a three-storey terrace over a basement, with a nine-bay end block articulated by Corinthian columns and pilasters with a central portico supporting a pediment, and a rusticated ground floor. The adjacent four bays of the terrace have columns flanking arched openings on the ground floor. The terrace is adorned with a mixture of square-headed and arched windows, fanlights, enclosed rosettes, medallions, fluted friezes, panels, moulded cornices and balustrading

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

(In the hand of William Adam) Glasgow Designs / (in another hand) Elevation of the East side of Stirling Square with Sections shewing[sic] the Hights[sic] of the Houses with No. & So. Sides, / and the opening of Stirling Street leading into the High Street. –

Signed and dated

1792
datable to 1792

Medium and dimensions

Pen, pencil, wash and coloured wash including lemon yellow and pink on laid paper (702x299)

Hand

Possibly
Adam office hand, possibly John Robertson

Watermark

W surmounted by shield and fleur de lis

Literature

Bolton, 1922, p. 14
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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