[8] Design for the south front of a house, 1777, as executed

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Robert and James Adam office drawings
- Country houses
  - Langside or Aikenhead House, Glasgow: designs for a house and stable offices for Thomas Brown, 1777, as executed (10)
    - Designs for the plans and elevations of a house, 1777, as executed (6)

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Reference number

SM Adam volume 42/21

Purpose

[8] Design for the south front of a house, 1777, as executed

Aspect

South elevation of a two-storey, five-bay house, with a hipped roof and projecting single-storey bow ends over a half-sunk basement. The central three bays are pedimented with a festooned medallion in the centre, with a ground-floor entrance with balustraded steps in a moulded architrave with consoles. The elevation is adorned with string coursing, a frieze containing guilloche, moulded cornices, balustrading and square-headed windows

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

South Front of a new Design for Thomas Brown Esq^r at Aikenhead / (verso) (in pencil) North Front / 2

Signed and dated

6/3/1777
Adelphi March 6^& 1777~

Medium and dimensions

Pen and pencil within a ruled border on laid paper (521x310)

Hand

Possibly
Adam office hand, possibly Joseph Bonomi

Verso

Rough design for the north front of a two-storey, five-bay house with a hipped roof, and flanking stable blocks terminating in pavilions linked by a loggia. The central three bays of the house project forward to form an arcaded ground-floor porch and a pedimented first floor with a balustrade. The elevation is adorned with string coursing, square-headed windows, and oculi. There is a pencil sketch for a pedimented window in one of the pavilions

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 1
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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