[7] Design for the bedchamber floor of a house, 1777, as executed

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Robert and James Adam office drawings
- Country houses
  - Langside or Aikenhead House, Glasgow: designs for a house and stable offices for Thomas Brown, 1777, as executed (10)
    - Designs for the plans and elevations of a house, 1777, as executed (6)

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Reference number

SM Adam volume 42/25

Purpose

[7] Design for the bedchamber floor of a house, 1777, as executed

Aspect

Bedchamber floor plan comprising a rectangular building with the roofs of the bow ends, projecting porch and flanking corridor links visible, with lofts over the stable blocks

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

Plan of the one pair Story of House & Offices / (and in the hand of William Adam) of Ackinhead[sic] house for / Thomas Brown Esq^r~ / (in another hand) Bed Chamber / Closet / Bed Chamber / Bed Chamber / Bed room / Closet / Bed Chamber / Loft for Oats &c. / Hay loft / Loft / Loft / Loft / Loft with some room dimensions / (verso) Thomas Brown Esqr Aikenhead / near Glasgow / (in another hand) number 4 / (in pencil) 4 / Grainary[sic] / Hay Loft / Store room / Grainary / Hay Loft / Store room with some room dimensions

Signed and dated

6/7/1777
Adelphi / March 6^& 1777~

Medium and dimensions

Pen and pencil on laid paper (380x507)

Hand

Possibly
Adam office hand, possibly Joseph Bonomi

Verso

Rough sketch of the bedchamber floor plan, same as recto

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 1
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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