[5] Design for the ground and garret floor of a house, c.1777, as executed

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Books

Robert and James Adam office drawings
- Country houses
  - Langside or Aikenhead House, Glasgow: designs for a house and stable offices for Thomas Brown, 1777, as executed (10)
    - Designs for the plans and elevations of a house, 1777, as executed (6)

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Reference number

SM Adam volume 42/23

Purpose

[5] Design for the ground and garret floor of a house, c.1777, as executed

Aspect

Ground and garret plans of a house. The ground floor comprises a T-shaped building with bow ends to the sides of the house and a larder below a porch and staircase. Rooms are arranged around a central staircase and include a servants' hall, kitchen, laundry, scullery, cellars, and milk house. The garret floor has a simpler rectangular planform with a series of rooms, two with chimneypieces, and a staircase

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

Plan of the Ground Story / (and in the hand of William Adam) of Aikenhead House Thos Brown Esq^r / (in another hand) Larder / Kitchen / Scullery / Laundry / Press / Bed / Press / Bed / Beer Cellar / Wine / Cellar / Milk House / Servants Hall / Pantry / Press / Bed / Press / Bed / Area / Area / Area / Area / Garret Storey / (and in the hand of William Adam) of Ackinhead[sic] House / (in another hand) Lumber Garrett / Servants room / Lumber room / Front room / Servants room / Room for front with some room dimensions / (verso) (in pencil) Thomas Brown Esq^r / Akenhead[sic] near Glasgow

Signed and dated

c.1777
datable to c.1777

Medium and dimensions

Pen and pencil on laid paper (237x502)

Hand

Possibly
Adam office hand, possibly Joseph Bonomi

Watermark

J Whatman

Literature

Bolton, 1922, p. 1
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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