[8] Finished drawing for the elevations and section of a house, 1790, executed to a variant design

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Robert and James Adam office drawings
- Country houses
  - Glencarse House, Perth and Kinross: designs for a house for Thomas Hunter Esq, 1790, executed to a variant design (8)
    - Variant designs for a house, 1790, executed to a variant design (2)

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Reference number

SM Adam volume 36/103

Purpose

[8] Finished drawing for the elevations and section of a house, 1790, executed to a variant design

Aspect

Axial section through a three-storey house with a hipped roof, with a single-storey wing with a pitched roof and steps. The section shows a bowed projection at one end of the house, and a columned portico and principal staircase at the other end, with moulded architraves and chimneypieces on each floor, with those on the principal floor of a more articulated design Rear elevation of a house, same as SM Adam volume 36/101, with the addition of balustrades to the first-floor windows of the house, openings in the boundary walls and sphinxes to the wall piers Principal elevation of a house, same as SM Adam volume 36/102, with the omission of the sphinx, the single-storey projections to the house and the flanking yard walls, and the addition of a central pediment, and steps to the flanking wings

Scale

bar scale of 3/4 of an inch to 10 feet

Inscribed

Section through the body of the house from North to South / South Front of a new design for Thomas Hunter Esquire at Glencarse in Perthsire. / Elevation of the North Front of Glencarse House &c^r.

Signed and dated

1790
datable to 1790

Medium and dimensions

Pen and pencil within a ruled border on laid paper (456x279)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

I Taylor

Literature

Bolton, 1922, p. 15
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).