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  • image Image 1 for SM D3/4/4
  • image Image 2 for SM D3/4/4
  • image Image 1 for SM D3/4/4
  • image Image 2 for SM D3/4/4

Reference number

SM D3/4/4

Purpose

Bowood, Wiltshire, c.1794

Aspect

[4] Plans B and a showing existing ground floor and basement floor of link wing with adjacent rooms, with fliers showing 'after' and two elevations showing Appearance of the / Supper room Tower / when the new Building / shall be erected and Appearance of the new Building / towards the West

Scale

7/15 in to 10 ft approximately

Inscribed

as above and keys (first floor) a / No. 1 Waiting Hall / 2 Octagon Staircase / 3 Vestibule / 4 Drawing Room / 5 Supper Room / 6 New Passage, (ground floor) B / 1 Octagon Staircase / 2 Still Room / 3 Housekeepers room / 4 Passages / 5 Steps to the Cellars / 6 China Closet / 7 Maids room / 8 Stewards room and two further keys C and D for two fliers with alternative layouts for ground floor

Signed and dated

  • c.1794

Medium and dimensions

Black and red pen, burnt umber and blue washes, pencil additions on laid paper with three fliers (275 x 480)

Hand

Dance

Watermark

Portal & Bridges 1795

Notes

The 'communication' has grown and is now of three bays. An extra 'communication' is proposed for the lower floor.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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