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  • image Image 1 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 2 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 3 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 4 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 5 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 1 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 2 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 3 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 4 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25
  • image Image 5 for SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25

Reference number

SM D4/10/28, SM D4/10/27, SM D4/10/26, SM D4/10/25

Purpose

143 Piccadilly and Hamilton Place Mews, Westminster, 1807-08

Aspect

[21-24] Plan of the One Pair Story, Plan of the Two Pair^or Bedroom Floor, Garret Floor / Plan of the Attic Foor and Plan of the Roof

Scale

¼ in to 1 ft

Inscribed

as above and ([SM D4/10/28] and [D4/10/27]) labelled, dimensions given and ([SM D4/10/28], [SM D4/10/27], [SM D4/10/26], [SM D4/10/25] verso, Dance) Sir Nathl Holland Bart / Plan of One pair of Stairs, Plan of Two Pair, or / Bedroom Floor, Plan of Attick Floor and Plan of Roof

Signed and dated

  • 1807-08

Medium and dimensions

Pen and sepia wash, pencil, pricked for transfer on wove paper (320 x 705, 340 x 680, 340 x 715, 325 x 690)

Hand

Dance, Rowles?

Watermark

[SM D4/10/28] and [SM D4/10/25] J Whatman 1804

Notes

These are similar to the ground floor and first floor plans of [SM D4/10/23] and [SM D4/10/24] and with their minor amendments drawn in. The roof plan shows two dormers, a large rectangular lantern over the principal stair and a Skylight over / Back Stairs.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).