The Adam drawings collection was finally sold by Susannah in 1833 to Sir John Soane, who preserved the collection at his house-museum; since 2008 within bespoke American black walnut folio presses by the cabinetmakers Senior and Carmichael: a gift from the American Soane Foundation. These are housed on the second floor of the Museum, in the Adam Study Centre. Soane had also purchased a handful of Adam drawings piecemeal, and these were later pasted into three additional volumes. As such the Soane Museum’s Adam drawings collection contains some 9,000 drawings, comprising over 80% of the known surviving Adam drawings in the world. However, because of William and Susannah’s efforts to arrange the drawings into their volumes, almost 4,000 of them were rendered ‘unknown’. Efforts to catalogue the Adam office drawings since 2010 have reduced this number considerably, but the remaining ‘unknown’ or ‘unattributed’ Adam drawings are catalogued here typologically. It is hoped that eagle-eyed members of the public might recognise some of these and let us know for whom, or for where particular designs were made.
A.A. Tait, ‘The sale of Robert Adam’s drawings’, Burlington Magazine, July 1978, pp. 451-55.
Frances Sands, 2021
Unattributed Adam drawings catalogued by Emily Cox, Anna McAlaney and Frances Sands
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Unattributed drawings
- Unattributed designs for ceilings
- Unattributed designs for chimneypieces, grates and stoves
- Unattributed designs for fountains
- Unattributed designs for illuminations and temporary buildings
- Unattributed designs for rustic buildings
- Unattributed designs, miscellaneous