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  • image SM D4/10/1

Reference number

SM D4/10/1

Purpose

143 Piccadilly and Hamilton Place Mews, Westminster, 1807-08

Aspect

[1] Site Plan / of the intended / New Buildings in Hamilton Place / near Hyde Park Corner

Scale

¼ in to 10 ft

Inscribed

as above, NB the plots distinguished by the / Yellow Color are agreed to be / granted to Sir Drummond Smith / or his assigns and nominies, labelled and calculations; two blue-washed gardens are labelled Lord Buckinghamshire Gardens and Mr Sullivans Garden; four pink-washed house plots in Hamilton Place are labelled Lord Lucan, Lord Buckinghamshe, Rt Honble John / Sullivan, Honble Rob. Dundas, Subterraneous / offices (twice), four pink-washed mews plots ae labelled Buckinghamshire, Mr Sullivan, Lord Lucan, Mr Antrobus and (verso, Dance) General Plan of Hamilton Street / with the Lots described & Houses / in front of Piccadilly Dated: 1807

Signed and dated

  • 1807-08

Medium and dimensions

Pen, pink, yellow and blue washes, pencil, pricked for transfer on wove paper (370 x 515)

Hand

surveyor, Rowles?, Dance

Notes

The three plots washed in yellow belonging to Sir Drummond Smith - next to the house built for him by S. P. Cockerell c.1795 (the coach house shown in rough outline) - have a shared frontage of 96 feet and face south on to Piccadilly. The plan relates to land leased from the Crown by Smith for development; Dance-Holland buying the site immediately next to Smith's house as well as a nearby mews site. By 1812, Boyle's Court Guide listed Lady Catherine Tilney Long, the Duke of Bedford, Earl Cork, Lord Lucan and the Earl of Buckinghamshire as living at 1-5 Hamilton Place.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).