[32] Finished drawing for the rear elevation of a group of prison buildings for Edinburgh Bridewell, 1791, executed in part

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Robert and James Adam office drawings
- Public buildings
  - Bridewell, Edinburgh: designs for a group of prison buildings, 1790-91, executed in part (33)
    - Variant design for a castle-style bridewell scheme, 1791, executed in part (7)

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Reference number

SM Adam volume 33/29

Purpose

[32] Finished drawing for the rear elevation of a group of prison buildings for Edinburgh Bridewell, 1791, executed in part

Aspect

Rear elevation of the bridewell flanked by a gaol and bedlam with connecting walls. Both buildings are as shown in SM Adam volume 10/153 with the omission of the continuous crenelation across the top of the main prison building

Scale

bar scale of 3/8 of an inch to 10 feet

Inscribed

South front of a new designed Bridewell for the County and City of Edinburgh, with Two separate buildings intended for a / Goal[sic] and a Bedlam.

Signed and dated

1791
Rob^t Adam Architect 1791 ~

Medium and dimensions

Pen, pencil, wash and pink coloured wash on laid paper within a ruled border (483x289)

Hand

Possibly
Adam office hand, possibly Robert Morison, John Robertson, or John Paterson

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 11
King, Vol. 1, 2001, pp. 56-7
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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