Scale
bar scale of 3/8 of an inch to 10 feet
Inscribed
From No. 1 to No. 17 are the Cells in the / Circular front of the Building on each of the / four Stories ~ / From No. 18 to No. 21 are the Cells in the / side Towers on each of the four Stories / No. 22 Staircase leading to the different / Stories of Cells – / No. 23 Passage between the Staircase and Inspection / Lodge / 24. Staircase to the Officers Apartments / 25. Fumigating room / 26. Governors Office / 27. Wash house / 28. Entrance Lobby / A Walk with a Wooden Pallisades[sic] / with Centinal Boxes / on the angles / for guarding / the outsides / of the Walls , to prevent attacks from without / or getting over the walls from within / Yard for Women / Yard for Debtors / Yard for Felons / Yard for Convicts / Bridewell yard for Men & Youth / Garden / Garden / Garden / Garden / 1 / 2/ 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 / 16 / 17 / 18 / 19 / 20 / 21 / 22 / Chapel / Inspection / Lodge / 23 / 24 / Governor / Governess / 26 / 27 / Entrance / 28 / (verso) Bridewell Edinh / 8/2 / (in another hand) reduced / Plans of Edin Bridewell various designs / (in pencil) Edinburgh / Bridewell / finished Plans of the Bridewell / to a [_ _ _ _] Seale
Signed and dated
- 1790-91
datable to 1790-91
Medium and dimensions
Pen, pencil, wash and coloured wash including Payne’s grey, cerulean blue and Naples yellow, on laid paper within a ruled border (522x362)
Hand
Possibly
Adam office hand, possibly Robert Morison, John Robertson, or John Paterson
Watermark
GR surmounted by a fleur de lis within a crowned cartouche
Literature
Bolton, 1922, p. 11
King, Vol. 2, 2001, p. 54
For a full list of literature references see scheme notes.
Level
Drawing
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).