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- c.1788-94
Interestingly, a wall elevation for a gallery for Lansdowne House by Francesco Panini, 1772, includes a chimney-piece incorporating the fragment from Hadrian's villa as does a very fine perspective by Joseph Bonomi of his scheme for a library made made in 1786 (RIBA Drawings Collection C3 [15] No.2) as well as the bust of Minerva. The bas-relief and Egyptianised bust were offered for auction at Christie's on 5 July 1995. The bas-relief was not sold and remains at Bowood.
Piranesi published several designs for Egyptian chimney-pieces in Diverse Maniere d'Adornare i Cammini (1769). Dance's Lansdowne House chimney-piece is probably the first example in the Egyptian style in Britain.
A single fireplace would not have sufficed to warm a room as large as the library and a scheme for augmenting the heating arrangements was proposed, or even started, but then dropped according to Farington's diary (13 December 1794): 'The scheme for introducing warm air into Ld. Lansdowne's library is suspended, in consequence of his Lordship being told it would spoil his Books, as the air though warm wd. cause damp.' It may be that Dance had proposed a system of ducted warm-air heating of the kind that he was to use in the entrance halls of 33 Hill Street, London, Coleorton and Stratton Park. 'Steam apparatus' is mentioned in A. T. Bolton's abstract of accounts for 1793 (SM, Archive, Bolton Papers).
LITERATURE
S. Hornsby & C. Insley Green, 'A Bas-relief and a bust from the Emperor Hadrian's villa', Christie's International Magazine, June/July 1995, pp. 70-71; J. Hardy, 'The Homeric bas-relief at Lansdowne House', op.cit., p.72.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).