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  • image Image 1 for SM D5/5/15
  • image Image 2 for SM D5/5/15
  • image Image 1 for SM D5/5/15
  • image Image 2 for SM D5/5/15

Reference number

SM D5/5/15

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[208] Plan showing three beams, two curved secondary beams, 17 radial sole plates and six half-ring of vertical studs and faint section

Scale

¼ in to 1 ft

Inscribed

dimensions given, calculations (and verso, Dance) Plan of Theatre / & / Timbers of floor / under seats, (note not related to Royal College of Surgeons) Timber delivered since my settlement Jany 1807 for Offices - 677:10.9 / Do - 102: - / Do not yet paid - 420: - 7 / 1199:11:4 / 183:3:11 / £1016:7.5 Total timber used in Offices / stables Washhouse Laundry / Brewhouse Kitchen and / appendages and (another note) Micheldever Church Chancel - 101:4:6 / Winton Lodge - 32:4.8 / London Entrance - 3.2:8 / Kersleys Compting House - 7:14.10 / Grape house - 38:7:3 / 183:3:11

Signed and dated

  • 1805-12

Medium and dimensions

Black and red pen, pink wash, pencil on laid paper (340 x 485)

Hand

Dance

Watermark

D & C Blauw

Notes

The calculations on the verso were made after January 1807 and relate to timber supplied for a job involving the offices, stables and appendages of a country house - probably Stratton Park. The other set of calculations seems to be for fees owing to Dance for five jobs: Micheldever Church, the London Road twin lodges and the Winchester Road lodge to Stratton Park and, all for Sir Francis Baring; Kersley's Compting House, which must have been in the City of London and a minor job costing only £142.82; and the intriguing 'grape house' which, if Dance was charging his usual 5 per cent, would have cost about £774.

Verso
Rough part-perspective of timber screen to gallery
Pencil

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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