[19] Design for altering a tureen, 1779; it is not known if this design was executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Northumberland House, The Strand, London: designs for the drawing room and dining room for the 1st Duke of Northumberland, 1770-79 (24)
      - Preliminary designs and designs for altering two tureens, and for a new tureen and tureen lid, 1779; it is not known if these designs were executed (6)

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Reference number

SM Adam volume 25/133

Purpose

[19] Design for altering a tureen, 1779; it is not known if this design was executed

Aspect

Elevation of a tripod tureen, with acanthus leaf legs, surmounted by lion masks, and with a base rail ornamented with enclosed calyx and flowers, with a gadrooned body ornamented with festoons, and acanthus leaf handles, and with a top rail of reed and ribbon, and a gadrooned lid

Scale

to a scale

Inscribed

Present Turine belonging to the Duke of Northumberland

Signed and dated

04/03/1779
Adelphi / 4t. March 1779

Medium and dimensions

Pen, red pen and pencil on laid paper (442 x 297)

Hand

Adam office hand, possibly Robert Adam or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 42
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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