[7] Design for the side elevation of a house, c.1768-9, unexecuted

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Robert and James Adam office drawings
- Town houses
  - Edinburgh
    - St Andrew Square, number 35, Edinburgh: designs for a house for Andrew Crosbie, c.1768-9, executed to a variant design (8)
      - Designs for a house, c.1768-9, unexecuted (7)

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Reference number

SM Adam volume 29/123

Purpose

[7] Design for the side elevation of a house, c.1768-9, unexecuted

Aspect

South (side) elevation of a three-storey, three-bay house over a half-sunk basement, with a hipped roof. The ground floor is alternating as part-rusticated, part-coursed. The upper floors have two outer pilasters with fluted capitals containing Acanthus leaf, supporting an entablature containing a fluted frieze, dentilled cornice and a central moulded panel. Above the panel is a central chimney stack flanked by deeply coved decorative walls

Scale

bar scale of 2 ½ inches to 10 feet

Inscribed

South Front No. 2 for Andrew Crosbie Esq^r / new town Edinburgh ~ / (verso) 4

Signed and dated

c.1768-9
datable to c.1768-9

Medium and dimensions

Pen and pencil on laid paper (590x493)

Hand

Possibly
Adam office hand, possibly William Hamilton or Joseph Bonomi

Watermark

Footed P

Literature

Bolton, 1922, p. 12
King, 2001, p. 125
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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