[5] Preliminary design for a pier glass frame for John Adam, 1772, executed status unknown

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Robert and James Adam office drawings
- Projects known only by patron
  - John Adam: preliminary designs and finished drawings for three pier glass frames, c.1772, executed status unknown (7)
    - Designs for a pier glass frame for John Adam, c. 1772, executed status unknown (4)

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Reference number

SM Adam volume 3/95

Purpose

[5] Preliminary design for a pier glass frame for John Adam, 1772, executed status unknown

Aspect

Elevation of a pier glass, one half the same as SM Adam 3/38, with the swans omitted and with the addition of candelabra to the central two terms. The platform is decorated with guilloche and rosettes. There is an alternative design in the other half comprising circles in the upper section with medallions at the intersection, with tubular flowers and calyx in place of the terms, and candelabra in place of the entablatures and festoons

Scale

bar scale of 2 ½ inches to 10 feet

Signed and dated

9/5/1772
1772 / Adelphi 9^th May

Hand

Possibly
Adam office hand, possibly Joseph Bonomi or William Hamilton

Watermark

LVG surmounted by a fleur de lis within a crowned cartouche

Literature

Harris, 1963, p.49
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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