Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Public buildings (3)
  - Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis) (226). Survey drawings, preliminary designs, design and working drawings

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Reference number

SM D5/5/36

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[191] Plan of seating and stair, elevation/section towards the demonstration niche, and rough elevation of railing

Scale

Scale ½ Inch to the Foot

Inscribed

as above, Section No 1, lettered A A A, labelled Face of moldings round the head of the Nich dimensions given and (verso, Dance) Plan and Section / of Theatre

Signed and dated

1805-12

Medium and dimensions

Black and red pen, sepia, pink, green earth and raw umber washes, shaded, pencil on wove paper (865 x 660)

Hand

Dance

Watermark

James Whatman Turkey Mill Kent (cut)

Notes

The benches, arranged in 11 tiers, are only 9 inches deep with 12 inches between them. Though a full-size drawing ([D5/9/8]) shows the same meagre 9 inches from back to front for a bench, another drawing ([SM D5/5/21]) shows ten tiers of benches, each 12 inches deep with 15 inches of leg-room.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).