Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Public buildings (3)
  - Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis) (226). Survey drawings, preliminary designs, design and working drawings

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Reference number

SM D5/5/17

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[190] Plan, section/elevation showing framing of 11 rows of benching, and unfinished elevation

Scale

¼ inch to 1 ft

Inscribed

A, Portland Stone Semicircular Step is 12 In^s high / and 20 Inches broad to shew 18 In^s clear of finish, labelled Floor of Museum, Level w^h Floor of Museum, dimensions given and (verso, Dance) R^l Coll^e of Surgeons / Plan & Section / of / Theatre

Signed and dated

1805-12

Medium and dimensions

Pen, pink, blue, raw umber, sepia and yellow washes, pencil on wove paper (500 x 645)

Hand

Dance

Watermark

J Whatman 1801

Notes

This drawing corresponds to the plan for the anatomy theatre shown on [SM D5/1/9] (dated 7 June 1810). The semicircular stone 'step' marked 'A' between the demonstration area and the bottom row of benches was needed for reasons of hygiene. The rake is steeper than in the preceding drawing.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).