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  • image Image 1 for SM D5/6/8
  • image Image 2 for SM D5/6/8
  • image Image 1 for SM D5/6/8
  • image Image 2 for SM D5/6/8

Reference number

SM D5/6/8

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[179] Plan and section of Pilasters & moldings round / recess. Circular ends of Museum / full size

Scale

FS

Inscribed

as above and (cancelled) George Dance Esqr Verso Plan and section of apse showing ribbed decoration in a half-dome Scale: 1½ in to 1 ft Inscribed: front of Sky light and front of Stone Gallery Pencil The drawing is faint and sketchy and the impression is of tapered concave segments defined by ribs stopped by roundels at the top and half-roundels at the base. Stroud (p.194) describes the executed vaults as having 'fluted decoration reminiscent of that in the Guildhall Council Chamber but without the scalloped edge'.

Signed and dated

  • 1805-12

Medium and dimensions

Pen, pink, raw umber and sepia washes, pencil on laid paper (660 x 525)

Hand

Dance

Notes

The half-dome or deep cove has fan shell decoration that was presumably unexecuted.

Verso
Plan and section of apse showing ribbed decoration in a half-dome
Scale: ½ in to 1 ft
Inscribed: front of Sky light and front of Stone Gallery
Pencil
The drawing is faint and sketchy and the impression is of tapered concave segments defined by ribs stopped by roundels at the top and half roundels at the base. Stroud (p.194) describes the executed vaults as having 'fluted decoration reminiscent of that in the Guildhall Council Chamber but without the scalloped edge'.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).