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  • image SM Adam volume 24/164

Reference number

SM Adam volume 24/164

Purpose

Preliminary designs for chimneypieces, ND

Aspect

Above – Elevation of a chimneypiece with Doric styles and the left-hand style is ornamented with a panel, which contains a mask and wreaths. The right-hand style is ornamented with a figurative panel. The capitals alternatively contain acanthus leaves flanked by paterae and a reclining lion. The frieze is ornamented with rosettes, masks and swags

Below- Elevation of a chimneypiece, with a Doric pilaster style ornamented with an urn, ox skull and ram masks, which suspend festoons. The frieze contains a central tablet, which depicts a rosette, set within a wreath and flanked by ram masks. This is flanked by a band of anthemia, alternating with calyx

Scale

not to scale

Inscribed

162 / No. 1 (pencil) / No. 2 (pencil) / No. 3 (pencil)

Signed and dated

  • ND
    ND

Medium and dimensions

Pencil on laid paper (322x206)

Hand

Probably
Robert Adam

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).