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  • image SM D5/3/22

Reference number

SM D5/3/22

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[168] Alternative elevation for treatment of sculpture over chimney-piece

Scale

½ in to 1 ft

Signed and dated

  • 1805-12

Medium and dimensions

Pen, Indian red and sepia washes, shaded, pencil, pricked for transfer on wove paper (225 x 250)

Hand

Dance

Notes

A bust stands on a stepped pedestal resting on a chimney-piece plainer than the preceding example. The bust, pedestal and chimney-piece are now more integrated. The Accounts for 1813 state 'Black Marble chimney-piece in Museum' at a cost of £128.7.3¼ (RCS Archive, Account ledger 1806-1813); however, each of Dance's designs ([SM D5/3/26], [SM D5/3/24] and [SM D5/3/22]) shows a black chimney-piece and it is not known which was the executed design though perhaps [SM D5/3/22] pricked for transfer, was carried out.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).