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  • image SM Adam volume 46/36

Reference number

SM Adam volume 46/36

Purpose

[1] Finished drawing for two houses, c.1761-65, unexecuted

Aspect

Upper: Principal (south) elevation for two houses comprising a three-storey, three-bay building over a basement, with a pitched roof. The ground floor is rusticated with plain windows flanking a central two-storey portico. The portico comprises Tuscan columns supporting an entablature and bottle-neck balustrade to the first floor, with Ionic columns supporting a pediment surmounted by a Diocletian window. The first floor windows flanking the portico are in moulded architraves with cornices and brackets, the second floor windows are plain. At eaves level there is a dentilled cornice and a parapet with bottle-neck balustrading Centre: Attic plan for two houses comprising two large rooms with chimney breasts, with a small room, storeroom and staircase against the party wall Lower: Second floor plan for two houses comprising two large bedrooms with chimney breasts, with a smaller bedroom with chimney breasts and staircase against the party wall. The central window bays on the rear elevation of each house is slanted to allow for the internal room partitions

Scale

bar scale of 1 inch to 10 feet

Inscribed

Houses for Mr Ramsay Edinburgh / (in pencil) Garrets / Garrets / Bedroom Story

Signed and dated

  • c.1761-65
    datable to c.1761-65

Medium and dimensions

Pen and pencil on laid paper within a ruled border (303x495)

Hand

Adam office hand

Watermark

LVG surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 12
Johnston, p. 5
Further literature references in scheme notes

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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