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  • image Image 1 for SM D5/3/40
  • image Image 2 for SM D5/3/40
  • image Image 1 for SM D5/3/40
  • image Image 2 for SM D5/3/40

Reference number

SM D5/3/40

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[152] Section including detail of iron bracket

Scale

Scale ¾ inch to the Foot

Inscribed

as above, labelled Floor of Museum, Springing line of Dome, dimensions given, (verso, Dance) R C of Surgeons / Section of circular ends / of Museum, Section of circular end / of the Museum shewing / the Stone Gallery and (cancelled) Mr Spencer

Signed and dated

  • 1805-12

Medium and dimensions

Black and red pen, pink, blue, burnt umber and sepia washes, pencil on laid paper (660 x 420)

Hand

Dance

Watermark

D & C Blauw IV

Notes

[SM D5/3/33], [SM D5/3/38], [SM D5/3/39] and [SM D5/3/40] more or less correspond though, for example, the width of the radiating blind arches is marked 4 feet 9 inches as well as 4 feet 10 inches. More importantly, Dance increased the number of cantilevers from 10 to 16, at the same time relocating them either side of the 8 inch, or wider, piers rather than anchoring them within the piers. The iron cantilevers are 5 feet 4 inches long, with a depth of 3½, 4½ and 8 inches reflecting the curved section. A slab of Portland stone 6 feet 4 inches long lay on top of the bracket and a slab of York paving below.

Kalman (p.219) notes 'Iron beams had first appeared in English architecture only about a dozen years earlier.... The I-section, on which idea the museum beams are based, was first used at ... the Cotton Twist Mil in Salford, built 1799-1801....The Royal College of Surgeons ranks among the first examples of iron beams employed within a building principally for their strength [rather than for fire-resistance]'.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).