Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Public buildings (3)
  - Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis) (226). Survey drawings, preliminary designs, design and working drawings

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Reference number

SM D5/6/14

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[144] Plan of roof, longitudinal and cross-sections and details of composite pier

Scale

¼ in to 1ft and ¾ in to 1 ft

Inscribed

This drawing to be returned, labelled Floor of the Museum (twice), Temporary Tiye [sic], Wall Plate (nine times), Bond (twice), Gallery Floor (three times), Temporary Tye, Springing line of finish (three times), Portland Stone, dimensions given and (verso, Dance) R^l C^e of Surgeons, Plan & Section of / the upright Timbers / & those of the Ceiling / of / the Museum Signed: GD Dated: July 2^{^d} 1807

Signed and dated

1805-1812

Medium and dimensions

Black, red and blue pen, yellow, pink, raw umber and blue washes, pricked for transfer on laid paper (705 x 1325)

Hand

Dance

Notes

The composite pier is 27 feet 8 inches high, and is composed of 12 by 12 and 12 by 6 inch timbers tied twice by metal straps and stands on Portland stone padstones, 5 by 4 feet.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).