[10] Design for a house, 1787, executed in part

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Robert and James Adam office drawings
- Country houses
  - Glasserton House, Dumfries and Galloway: designs for a house for Keith Stewart, 1787, executed in part (10)

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Reference number

SM Adam volume 45/66 & 66a

Purpose

[10] Design for a house, 1787, executed in part

Aspect

Flyer closed: Axial section through a three-storey house over a part-basement with an attic. There are vaulted rooms in the basement, and a mixture of Tuscan and Ionic columns between the front rooms on each floor. There is a Tuscan portico supporting a first-floor balcony with steps into the house. The different colour washes denote the building materials Flyer open: The floor below the portico is at the same level as the rest of the house, with external steps

Scale

bar scale of 1 ¼ inch to 10 feet

Inscribed

Section across the center of the House from C to D on the Plan / (in the hand of William Adam) for Admiral Keith Stewart at Glassertown (overwritten in pencil) with some dimensions / (verso) 4

Signed and dated

13/11/1787
Albemarle Street / 13^th Nov^r 1787

Medium and dimensions

Pen, pencil, wash and coloured wash including lemon yellow and pink on laid paper (449x299)

Hand

possibly
Adam office hand, possibly Robert Morison

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 15
King, 2001, Vol. 1, pp. 106, 136
Further literature references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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