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  • image SM Adam volume 45/65
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Reference number

SM Adam volume 45/65

Purpose

[8] Design for the side elevation of a house, 1787, executed in part

Aspect

Elevation of a three-storey, five-bay house with a hipped roof and attic, and a bowed end. There is a pedimented Tuscan surround over a central stepped entrance. There is a continuous moulded cornice at eaves level and string coursing between each floor. There are a mixture of square-headed windows within plain surrounds and pedimented surrounds

Scale

bar scale of 1 ¼ inch to 10 feet

Inscribed

A Design for the West front of Glasserton House

Signed and dated

  • 1787
    datable to 1787

Medium and dimensions

Pen and pencil on laid paper (473x242)

Hand

possibly
Adam office hand, possibly Robert Morison

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 15
King, 2001, Vol. 1, pp. 106, 136
Further literature references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).