[6] Design for the front elevation of a house, 1787, executed in part

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Robert and James Adam office drawings
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  - Glasserton House, Dumfries and Galloway: designs for a house for Keith Stewart, 1787, executed in part (10)

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Reference number

SM Adam volume 46/97

Purpose

[6] Design for the front elevation of a house, 1787, executed in part

Aspect

Same as SM Adam volume 45/63 with the addition of statues in the niches, a festooned frieze over the first floor screen and detailing around the outer-bay windows on the first and ground floors

Scale

to a scale

Inscribed

36^th (in pencil) / 36 (in pen) / (and in the hand of William Adam) Honb^le Keith Stewart

Signed and dated

1787
datable to 1787

Medium and dimensions

Pen, pencil and wash within a ruled border on laid paper (243x139)

Hand

possibly
Adam office hand, possibly Robert Morison

Literature

Bolton, 1922, p. 15
King, 2001, Vol. 1, pp. 106, 136
Further literature references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).