[4] Alternative design for a mausoleum for David Hume, 1777, unexecuted

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Robert and James Adam office drawings
- Monuments and mausolea
  - Hume Mausoleum, Edinburgh: designs for a mausoleum to David Hume, 1777, executed in part [10]
    - Alternative designs for a mausoleum for David Hume, 1777, unexecuted [5]

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Reference number

SM Adam volume 19/77a

Purpose

[4] Alternative design for a mausoleum for David Hume, 1777, unexecuted

Aspect

Upper: Elevation of a two-storey, mausoleum flanked by single-storey walls with coping. The ground floor has a central octagonal drum and contains an entrance within a moulded architrave with a tablet above bearing the name ‘David Hume’. Above is a circular tower with arched windows within niches, and a continuous dentilled cornice above Lower: Plan of an octagonal mausoleum with flanking walls and a curved screen. The plan shows part of the ground floor with a circular interior, and part of the upper circular tower with windows in niches

Scale

bar scale of 2 inches to 10 feet

Inscribed

Signed and dated

02/1777
Feb^y 1777 (in pencil)

Medium and dimensions

Pen and pencil within a double-ruled border on laid paper (627x439)

Hand

Possibly
Adam office hand, possibly Joseph Bonomi

Watermark

Footed P

Literature

Bolton, 1922, p. 11
King, 2001, Vol .1, p. 359; Vol. 2, p. 265
Brown, 1991, pp. 399-401
Further literature references in scheme notes

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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