Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Explore Collections

You are here: CollectionsOnline / Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Browse

George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Public buildings (3)
  - Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis) (226). Survey drawings, preliminary designs, design and working drawings

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM D5/4/23

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[108] Sections of Capital of the Antae and Base of the Antae

Scale

Inscribed

as above, Royal College of Surgeons, Mouldings of Portico full size, Middle Line, Base of the Columns, dimensions given and (verso, Dance) Capital of the Antae & Base / full size and M^r Spiller

Signed and dated

1805-12

Medium and dimensions

Pen and burnt umber wash, pencil, partly pricked for transfer on laid paper (660 x 1030)

Hand

Dance

Watermark

D & C Blauw and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

The mouldings of the capital of the antae to the portico could be described as, in ascending order: fascia, fillet, neck, astragal, echinus, astragal, cyma reversa, abacus with congé, fillet and ovolo. Properly, the antae differ from the Ionic columns and here, are an inventive Doric.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).