Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Public buildings (3)
  - Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis) (226). Survey drawings, preliminary designs, design and working drawings

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Reference number

SM D5/8/13

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[85] Plan, front and side elevation of Ionic column, profile of entablature

Scale

½ in to 1 ft

Inscribed

QUÆ (on frieze)

Signed and dated

1805-12

Medium and dimensions

Black and blue pen, blue wash, pencil, partly pricked for transfer on wove paper (620 x 250)

Hand

Dance

Notes

The Ionic order is taken from J. Stuart & N. Revett, Antiquities of Athens (volume 1,1762, chapter 11, plates 1-VIII, Temple of Ilissus,), of which Dance owned a copy. There are variations: principally, Dance chose not to have fluted shafts and he also changed the base, preferring the more conventional torus mouldings either side of a scotia to the single torus with a wide and unusual concave moulding of the original. (See Straton Park, [SM D1/4/32] for a similar base.) Here, the shaft is 25 feet ½ inch high and the width 3 feet 3 inches at the bottom and 2 feet 9 inches at the top.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).