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  • image SM D5/7/3

Reference number

SM D5/7/3

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[67] Plan of N wall and portico, and elevation of front crowned by balustrade and with Ionic portico and urns

Scale

¼ in to 1 ft

Inscribed

ROYAL COLLEGE OF SVRGEONS (in frieze)

Signed and dated

  • 1805-12

Medium and dimensions

Pen, sepia, raw sienna and pink washes, shaded, pencil on wove paper, old back board removed (510 x 580)

Hand

Lewis

Watermark

J What (cut) 180 (cut)

Notes

This is a re-drawing of [SM D5/7/6], though here the basement railings are shown and the sculptured figure of a woman holding a baby and standing next to a serpent-entwined pillar (Charity and Medicine?) in a central niche is omitted. The two doors have cornices supported by brackets and moulded architraves with incised panelled pilasters.

Like the following two drawings, this (except where noted) is not by Dance and is assumed to be by James Lewis. There is an elevation inscribed 'copy' of a further variant design, again in Lewis's hand and signed and dated (as is [SM D5/1/9]) 'Wm Long / 7 June 1810' (RCS Library, catalogue, 1960, No.299). Long was the chairman of the Building Committee and the minutes for that date record that Dance and Lewis produced a 'plan of a front' which was approved and signed' (RCS Building Committee Minute Book). The approved design conceals the attic behind a parapet, has a balustrade and urns over the portico and two front doors and circular fanlights inset into the raised semicircular arch over the door.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).