Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

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George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Public buildings (3)
  - Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis) (226). Survey drawings, preliminary designs, design and working drawings

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Reference number

SM D5/7/4

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[65] Elevation with a Composite portico and six sculptured lions and Section shewing the relative Situation of the Floors in the two adjoining houses belonging to the Royal College of Surgeons in Lincoln's Inn Fields

Scale

¼ in to 1 ft

Inscribed

as above and some dimensions given

Signed and dated

1805-12

Medium and dimensions

Pen, sepia, blue, pink and raw umber washes, pencil, partly pricked for transfer on laid paper (430 x 575)

Hand

Dance

Watermark

D & C Blauw and fleur-de-lis in crowned cartouche and WR below

Notes

The party wall between the adjacent houses is shown and the floor heights differ by (in ascending order) 5 inches, 2 feet 8 inches, 3 feet 7 inches and 3 feet. Dance's design has a vertical emphasis with the attic hidden by a parapet modelled by pilasters above a pilastered second floor over the two-storey Composite portico. On the blocking course above the entablature are six sculptured seated lions. Each end of the building is emphasised by a three-storey pilaster. The capital has Ionic volutes above upright broad leaves. The details of doors and windows have not been drawn.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).