Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Explore Collections

You are here: CollectionsOnline / Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Browse

George Dance office drawings: the drawings of George Dance the Elder and George Dance the Younger
- Public buildings (3)
  - Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis) (226). Survey drawings, preliminary designs, design and working drawings

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM D5/4/20

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[58] Elevation of door and details of Moldings full size round the Doorways in recess / Portugal Street

Scale

Inscribed

as above, Royal College of Surgeons, labelled Face of Brickwork, Face of Stucco and Face of Stone Plinth and (verso, Dance) Moldings full size / of Doors in large recess / next Portugal Street Signed: GD

Signed and dated

1805-12

Medium and dimensions

Pen, raw umber, pink and sepia washes, pencil on laid paper (415 x 675)

Hand

Dance

Watermark

D&CBxX in cartouche surmounted by fleur-de-lis

Notes

These details are for two doors, each set at a 45-degree angle in the Great Niche and giving access to the museum and anatomy theatre to students and teachers as well as specimens and cadavers.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).