[28] Design No. 2 for first floor

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Aynhoe Park, Northamptonshire: designs for alterations and additions for W.R.Cartwright, 1799-1802 ( 60)
    - Designs made 4-19 November 1799 (13)

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Reference number

SM 6/4/23

Purpose

[28] Design No. 2 for first floor

Aspect

Plan of the Chamber Floor

Scale

bar scale of 1/12 inch to 1 foot

Inscribed

as above, Aynho Design N^o 2, W.R.Cartwright Esq^re, labelled: M^r Cartwrights Room, dress^g / Room, Lobby, Chamber (5 times), Nursery, dressing room (4 times), Upper part of Greenhouse, Water Closet/ for/ visitors, Lobby, Housemaids / closet with -----, Gallery, dressing room / & occasional / chamber, Stair to attics, Great Staircase, Gallery (twice), M^r Cartwrights / Dressing room, Ladies / closet, Gent^s / closet, Stone Staircase, Passage to Servants Chambers over Offices and a few dimensions given

Signed and dated

00/11/1799
(Copy) John Soane Arch^t Nove: 1799

Medium and dimensions

Pen, black, sepia and red washes, pricked for transfer, quadruple ruled and black and sepia wash border, on laid paper (475 x 589)

Hand

George Mansfield, surveyor 1 May 1797 - December 1800 (attributed to)

Watermark

J Larking Fleur de lis above cartouche with bar and below GR

Notes

Compared with drawing [26] Mrs Cartwright's rooms have been simplified, for example, a projecting bay removed and fewer windows.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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