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  • image SM D5/2/22

Reference number

SM D5/2/22

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[9] Plan of basement showing anatomy theatre and museum drawn over a part-survey plan of first floor, and section showing pavement levels

Scale

1/5 in to 1 ft

Inscribed

Section shewing the different heights of pavement / in Lincoln's Inn Fields and Portugal Street, Pavement Portugal Street, Level of Principal Floor of College House, Line of Level of Principal Floor of College House, Line of Pavement of Lincoln's Inn Fields, (faint pencil) Cellar for / the use of the / College and (verso, Dance) Genl Plan of / Basement

Signed and dated

  • 1805-12

Medium and dimensions

Pen and burnt umber wash, pencil, pricked for transfer on wove paper (575 x 865)

Hand

Dance, J. Neill (survey)

Watermark

Ruse & Turners 1805

Notes

This section shows a difference between the 'Level of Principal Floor' and pavement of 6 feet 10 inches in Portugal Street and 2 feet 11¼ inches in Lincoln's Inn Fields.

Drawings [SM D5/2/23], [SM D5/2/21], [SM D5/2/22] are Dance's revisions for the museum and anatomy theatre at basement level drawn on survey drawings for the basement and first floor (sic). At this stage, the museum has the same plan form as on [SM D5/1/15], that is, a five-bay stretched ellipse or, to put it another way, a three-bay rectangle with north and south apses. On [SM D5/1/15], the anatomy theatre was almost a circle but compressed and awkward; here it has a more elegant oval plan. The north end of the museum that was to occupy the back half of No. 42 Lincoln's Inn Fields is drawn in outline only, suggesting the demarcation line for the phased building programme. A plan of the north end of the museum [SM D5 2/3] has a note about a 'Temporary Partition to enclose that part of the Museum now finished' which seems to confirm that idea.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).