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  • image SM D5/3/23

Reference number

SM D5/3/23

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[4] Ground floor plan, Section lengthways through the Museum and Section across the Museum

Scale

1/10 in to 1 ft

Inscribed

as above, Design for a Museum and Theatre / proposed to be added to the buildings / on the South side of Lincolns Inn Fields / belonging to the College of Surgeons, Lincolns Inn Fields, Portugal Street, labelled Keeper, Secretary, Keeper's apartments, Museum, Theatre, Vestibule, Professor's / room, Courtyard, Basement, Flue (three times), Hot air and some dimensions given Signed: Geo: Dance, J Lewis and Approved and Signed / by order of the Committee / Wm Long Chairman Dated: 5th Janaury 1805

Signed and dated

  • 1805-12

Medium and dimensions

Pen, sepia, pink, yellow, blue, and burnt umber washes, shaded, pencil, within single ruled and light burnt umber wash border, pricked for transfer on laid paper (445 x 565)

Hand

Dance

Watermark

D & C Blauw and fleur-de-lis in crowned cartouche and WR below

Notes

The plan shows a regularised ten-bay front to Lincoln's Inn Fields with two entrances, the left-hand one with a porch with two engaged columns. The existing two houses have been kept as accommodation for the Secretary and Keeper. Behind No.41, and not shown on the survey plans, is an existing extension with a bow window overlooking a courtyard (labelled 'Committee Room' on the plan belonging to the Royal College of Surgeons - see below). Beyond this, on the site of the stables, is an anatomy theatre, 34 by 30 feet. To the rear of No.42, in the courtyard and stables area is a three-bay museum with a double-apsed ante-room carved out of the two existing back rooms.

The museum, measuring 81 feet 9 inches by 40 feet, is lit by three circular lanterns, 12 feet in diameter. In the double-height space, a gallery and glass cases are ranged around the walls. The anatomy theatre has no windows and is presumably also top-lit.

A plan at the Royal College of Surgeons (2/96(36)), drawn by Dance but signed 'J Lewis' and inscribed '(Design No.4) / Plan of the Ground Floor of the Royal / College of Surgeons with additions and improvements / NB The Columns may be omitted as they darken the Entrance' is broadly the same as the design catalogued above though, for example, three rectangular lanterns light the museum, its ante-room is shown with corner alcoves and without twin spiral stairs, the anatomy theatre has two windows on to Portugal Street and a circular lantern and the benches ae more closely packed. The reference to 'Columns may be omitted' is to the pair of attached columns either side of the front door of No.41. It is likely that the Surgeons' drawing preceded the more developed plan on [SM D5/3/23]. The Building Committee minutes for 5 January 1805 record that comparison was made with a 'former plan' and that the 'plan now presented is best adapted ...' (RCS Archive).

In a discussion of Soane's use of top-lighting at Dulwich, Waterfield (1987, pp.11-12) notes that Dance employed a more sophisticated version of the top-lighting used in his Shakespeare Gallery for the Royal College of Surgeons museum in a style close to Dulwich (designed by Soane from 1811).

REPRODUCED. G. Waterfiled, Soane and after, the architecture of Dulwich Picture Gallery, catalogue of an exhibition at the Dulwich Picture Gallery, 1987, p.13; C. Yanni, Nature's museums: Victorian science and the architecture of display, 1999, fig.2.15.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).