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  • image SM D5/1/3

Reference number

SM D5/1/3

Purpose

Royal College of Surgeons, 41-42 (now 35-43) Lincoln's Inn Fields, Holborn, Camden, London, 1805-12 (with James Lewis)

Aspect

[2] Plan of second floor and showing the floor joists of the front room of No.42

Scale

¼ in to 1ft

Inscribed

Two Pair Floor / Three pair, or Attics the same Plan

Signed and dated

  • 1805-12

Medium and dimensions

Pen, pink and raw umber washes, pencil pricked for transfer on laid paper (470 x 650)

Hand

Dance

Notes

[SM D5/1/4] and [SM D5/1/3] show adjacent houses. Each has a front door with a window either side and with a blind window fronting the party wall; No.41, the left-hand (eastern) house has three rooms and a half-turn stair. The combined frontage is 84 feet 8 inches with (left-hand house) a depth of 54 feet 4 inches. Minor alterations are proposed on [SM D5/1/4] including a refacing of the front elevation with small adjustments to the openings.

No.41, with basement, three floors and attics, 'dated from about the end of 1724, when it replaced a house destroyed by fire earlier that year' (Stroud p.193). The ratebooks show the Royal College of Surgeons at No.41 from 1797, Mr William Baldwin having lived there from 1786-96; No.42 was bought in 1803, Mr Robert Jenner having been the previous occupant from 1791. He was preceded by, for example, the Child family (1704-67), the house being rebuilt in, probably, 1703 (Survey of London, St Giles-in-the-fields, Part 1 (Lincoln's Inn Fields), III, 1912, pp.50-3).

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).