[12] Design for the south elevation a house, 1789, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Balmakewan House, Angus: designs for a house and stables for Thomas Gillies Esq, 1789, unexecuted (12)
    - Alternative designs for a house and stables for Thomas Gillies Esq, 1789, unexecuted (3)

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Reference number

SM Adam volume 31/81

Purpose

[12] Design for the south elevation a house, 1789, unexecuted

Aspect

Rear (south) elevation of a two-storey, five-bay building over a basement with a hipped roof. The ground and basement floor of the central three bays are bowed, with columns and a balustrade on the ground floor. The outer bays contain ground floor tripartite windows with Tuscan columns set within recessed arches, the first and basement floors contain square-headed windows. There is a mutuled cornice at eaves level

Scale

bar scale of 1 ¼ inch to 10 feet

Inscribed

(In the hand of William Adam) South Front / (in pencil) B / Extends. 68 -

Signed and dated

27/05/1789
Albemarle Street / 27 May 1789

Medium and dimensions

Pen, pencil, and wash on laid paper (427x265)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 3
King, 2001, p. 121
Further literature references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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