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- 1788-9
The elevation shows the base, top and bottom of the shaft, the capital and the entablature. The details of the cornice shown here are from the raking cornice of the crowning pediment and not its more simple bed-mould cornice.
The base is conventional with plinth, and torus, fillet, scotia, fillet, torus, fillet and apophyge mouldings. Dance's inventive capital employs a pair of ammonites with five-petalled flowers at each eye, a broad, ribbed water leaf, a lotus leaf and two acanthus leaves. The architrave is plain and divided from the equally plain frieze by fillet, astragal, ovolo and cyma reverse mouldings. The cornice consists of astragal, cyma reversa, corona, astragal, fillet and cyma recta mouldings.
REPRODUCED. A. Stratton, ' Boydell's Shakespeare Gallery in Pall Mall, Architectural Review, XLI, 1917, pp.49-52.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).