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  • image SM D4/6/2

Reference number

SM D4/6/2

Purpose

Little Britain, City of London, 1793

Aspect

[1] Survey plan of an area NE of St Bartholomew's Hospital fronting Little Britain on two sides, Aldersgate Street and St Bartholomew Close

Scale

1/24 in to 1 ft

Inscribed

as above, labelled Coxs Court, Cross Keys Court, Trinity Court, Great Montague Court, Little Montague Court, Westmorland Buildings, Albions Bds, Garden (twice), plots numbered 1-33 and dimensions given

Signed and dated

  • 1793

Medium and dimensions

Pen, brown ink, gamboge, sepia, violet and pink washes, pricked for transfer on laid paper (685 x 480)

Hand

John Manning (surveyor)

Watermark

J Whatman and fleur-de-lis in crowned cartouche and W below

Notes

Colour wash outlines may indicate the length of leases: for example, the small regular properties of Cross Keys Court are marked in pink and those facing St Bartholomew's Close are shown in yellow. Manning has noted of the owners of two plots Cannot Learn / their Names. The list of Ground Landlords given by Manning includes Christ Hospital with two plots on the east side from Trinity Court to Aldersgate Street. A map of 1684 in the Guildhall Library (Prints & Maps Department, from the collection of Christ's Hospital, Record: 21482) inscribed 'Planographic or ground plat [plan], of severall messuages or tenements & yards & back-sides in Little Britain, and in a court there called or know by the name of Pilkington Place in the parish of St Botolph Aldersgate ...' gives to Christ's Hospital the ownership of an area that corresponds to the southern part of Manning's survey, so that a hundred years later this had been reduced. In fact, Pilkington Place was bought by St Bartholomew's Hospital in the 17th century. Other landlords include Merchant Taylors Company, Revd Mr Edwards - Glebe, Aldersgate Parish and Was Chandlers Co.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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